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The camera cuts back to Chris to show him squint his eyes questioningly, and when the next POV shot occurs the man is getting closer and closer to Chris until he finally takes a turn so he does not hit him. The next moment, when he looks back, he sees a small figure in the distance that appears to be running. During one moment, Chris looks out into the field and sees nothing but grass and trees.
![the message 1976 cinematography the message 1976 cinematography](https://cloud.lib.wfu.edu/blog/we-wake-we-write/files/2017/05/poster-montage-750x429.jpg)
One of these shots occurs when the black gardener is running toward him in the middle of the night. The use of POV shots, or point of view shots, are very important in this film because we can actually see what Chris is seeing. We feel this intense emotion with him because we are staring right into his soul with this shot. His eyes are bloodshot and filled with fear, but the rest of his face is paralyzed.
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This contrasts greatly with the close-up image of Chris when he is being hypnotized. This is the first moment where we don’t feel included in the love, but we start to see how dark and spacious the house is. This makes the audience feel separated from this situation we are not part of this family, we are on the outside spectating. We, as the audience, actually lose sight of the characters for a moment because the camera is in a completely different room and the wall separates us from the family. For example, when the main character, Chris, first enters his girlfriend’s parents’ house, the camera is very far away from them. Get Out’s cinematographer, Toby Oliver, clearly used space to his advantage. The ending does include some violence, and overall the audience leaves the theatre with a pretty good idea of what happens after the conclusion of the film. Soon, he begins to realize the family is racist and there are things that are “off” about all the other African Americans he meets while staying there.
The message 1976 cinematography movie#
To summarize without spoilers, the movie is about an African American man who visits his Caucasian girlfriend’s family over the weekend.
![the message 1976 cinematography the message 1976 cinematography](https://alchetron.com/cdn/The-Message-1976-film-images-afba3b9e-fa9c-49b7-b769-28d64e1cfc9.jpg)
Rather than fulfilling the requirements of a horror movie as it was advertised as, it ended up being more of a thriller. Get Out is a fiction film consisting of two major themes of science fiction and racism. A cinematographer’s job is terribly difficult: every shot must be carefully planned to be sure they do not suggest something that is false or something the director doesn’t want the audience to know. Filming an actor from far away and allowing blank space behind them may suggest that something is about to pop out or come running after them. For example, filming an actor from below makes them look taller and more intimidating. A cinematographer doesn’t just put a camera on a tripod and film an actor they carefully choose angles which make the audience feel a certain way or suggest/foreshadow something. According to the Merriam-Webster dictionary, cinematography is “the art or science of motion-picture photography.” It also defines science as “the state of knowing,” and art as “a skillful plan.” To summarize, cinematography is the carefully planned use of moving images to convey a specific message.